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The Woman In Love
by: D H Lawrence

‘Das war ausgezeichnet, das war famos—’

‘Wirklich famos,’ echoed his exhausted daughters, faintly.

‘And we couldn’t understand it,’ cried Ursula.

‘Oh leider, leider!’ cried the Professor.

‘You couldn’t understand it?’ cried the Students, let loose at last in speech with the newcomers. ‘Ja, das ist wirklich schade, das ist schade, gnadige Frau. Wissen Sie—’

The mixture was made, the newcomers were stirred into the party, like new ingredients, the whole room was alive. Gerald was in his element, he talked freely and excitedly, his face glistened with a strange amusement. Perhaps even Birkin, in the end, would break forth. He was shy and withheld, though full of attention.

Ursula was prevailed upon to sing ‘Annie Lowrie,’ as the Professor called it. There was a hush of EXTREME deference. She had never been so flattered in her life. Gudrun accompanied her on the piano, playing from memory.

Ursula had a beautiful ringing voice, but usually no confidence, she spoiled everything. This evening she felt conceited and untrammelled. Birkin was well in the background, she shone almost in reaction, the Germans made her feel fine and infallible, she was liberated into overweening self–confidence. She felt like a bird flying in the air, as her voice soared out, enjoying herself extremely in the balance and flight of the song, like the motion of a bird’s wings that is up in the wind, sliding and playing on the air, she played with sentimentality, supported by rapturous attention. She was very happy, singing that song by herself, full of a conceit of emotion and power, working upon all those people, and upon herself, exerting herself with gratification, giving immeasurable gratification to the Germans.

At the end, the Germans were all touched with admiring, delicious melancholy, they praised her in soft, reverent voices, they could not say too much.

‘Wie schon, wie ruhrend! Ach, die Schottischen Lieder, sie haben so viel Stimmung! Aber die gnadige Frau hat eine WUNDERBARE Stimme; die gnadige Frau ist wirklich eine Kunstlerin, aber wirklich!’

She was dilated and brilliant, like a flower in the morning sun. She felt Birkin looking at her, as if he were jealous of her, and her breasts thrilled, her veins were all golden. She was as happy as the sun that has just opened above clouds. And everybody seemed so admiring and radiant, it was perfect.

After dinner she wanted to go out for a minute, to look at the world. The company tried to dissuade her—it was so terribly cold. But just to look, she said.

They all four wrapped up warmly, and found themselves in a vague, unsubstantial outdoors of dim snow and ghosts of an upper–world, that made strange shadows before the stars. It was indeed cold, bruisingly, frighteningly, unnaturally cold. Ursula could not believe the air in her nostrils. It seemed conscious, malevolent, purposive in its intense murderous coldness.