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Mrs Dalloway
by: Virginia Woolf

“It is angelic—it is delicious of you to have come!” she said. She loved Lords; she loved youth, and Nancy, dressed at enormous expense by the greatest artists in Paris, stood there looking as if her body had merely put forth, of its own accord, a green frill.

“I had meant to have dancing,” said Clarissa.

For the young people could not talk. And why should they? Shout, embrace, swing, be up at dawn; carry sugar to ponies; kiss and caress the snouts of adorable chows; and then all tingling and streaming, plunge and swim. But the enormous resources of the English language, the power it bestows, after all, of communicating feelings (at their age, she and Peter would have been arguing all the evening), was not for them. They would solidify young. They would be good beyond measure to the people on the estate, but alone, perhaps, rather dull.

“What a pity!” she said. “I had hoped to have dancing.”

It was so extraordinarily nice of them to have come! But talk of dancing! The rooms were packed.

There was old Aunt Helena in her shawl. Alas, she must leave them— Lord Gayton and Nancy Blow. There was old Miss Parry, her aunt.

For Miss Helena Parry was not dead: Miss Parry was alive. She was past eighty. She ascended staircases slowly with a stick. She was placed in a chair (Richard had seen to it). People who had known Burma in the ‘seventies were always led up to her. Where had Peter got to? They used to be such friends. For at the mention of India, or even Ceylon, her eyes (only one was glass) slowly deepened, became blue, beheld, not human beings—she had no tender memories, no proud illusions about Viceroys, Generals, Mutinies—it was orchids she saw, and mountain passes and herself carried on the backs of coolies in the ‘sixties over solitary peaks; or descending to uproot orchids (startling blossoms, never beheld before) which she painted in water-colour; an indomitable Englishwoman, fretful if disturbed by the War, say, which dropped a bomb at her very door, from her deep meditation over orchids and her own figure journeying in the ‘sixties in India—but here was Peter.

“Come and talk to Aunt Helena about Burma,” said Clarissa.

And yet he had not had a word with her all the evening!

“We will talk later,” said Clarissa, leading him up to Aunt Helena, in her white shawl, with her stick.

“Peter Walsh,” said Clarissa.

That meant nothing.

Clarissa had asked her. It was tiring; it was noisy; but Clarissa had asked her. So she had come. It was a pity that they lived in London—Richard and Clarissa. If only for Clarissa’s health it would have been better to live in the country. But Clarissa had always been fond of society.

“He has been in Burma,” said Clarissa.

Ah. She could not resist recalling what Charles Darwin had said about her little book on the orchids of Burma.

(Clarissa must speak to Lady Bruton.)

No doubt it was forgotten now, her book on the orchids of Burma, but it went into three editions before 1870, she told Peter. She remembered him now. He had been at Bourton (and he had left her, Peter Walsh remembered, without a word in the drawing-room that night when Clarissa had asked him to come boating).