Clarissa once, going on top of an omnibus with him somewhere, Clarissa superficially at least, so easily moved, now in despair, now in the best of spirits, all aquiver in those days and such good company, spotting queer little scenes, names, people from the top of a bus, for they used to explore London and bring back bags full of treasures from the Caledonian market—Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here”; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter—even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places after death . . . perhaps— perhaps.

Looking back over that long friendship of almost thirty years her theory worked to this extent. Brief, broken, often painful as their actual meetings had been what with his absences and interruptions (this morning, for instance, in came Elizabeth, like a long-legged colt, handsome, dumb, just as he was beginning to talk to Clarissa) the effect of them on his life was immeasurable. There was a mystery about it. You were given a sharp, acute, uncomfortable grain—the actual meeting; horribly painful as often as not; yet in absence, in the most unlikely places, it would flower out, open, shed its scent, let you touch, taste, look about you, get the whole feel of it and understanding, after years of lying lost. Thus she had come to him; on board ship; in the Himalayas; suggested by the oddest things (so Sally Seton, generous, enthusiastic goose! thought of HIM when she saw blue hydrangeas). She had influenced him more than any person he had ever known. And always in this way coming before him without his wishing it, cool, lady-like, critical; or ravishing, romantic, recalling some field or English harvest. He saw her most often in the country, not in London. One scene after another at Bourton. . . .

He had reached his hotel. He crossed the hall, with its mounds of reddish chairs and sofas, its spike-leaved, withered-looking plants. He got his key off the hook. The young lady handed him some letters. He went upstairs—he saw her most often at Bourton, in the late summer, when he stayed there for a week, or fortnight even, as people did in those days. First on top of some hill there she would stand, hands clapped to her hair, her cloak blowing out, pointing, crying to them—she saw the Severn beneath. Or in a wood, making the kettle boil—very ineffective with her fingers; the smoke curtseying, blowing in their faces; her little pink face showing through; begging water from an old woman in a cottage, who came to the door to watch them go. They walked always; the others drove. She was bored driving, disliked all animals, except that dog. They tramped miles along roads. She would break off to get her bearings, pilot him back across country; and all the time they argued, discussed poetry, discussed people, discussed politics (she was a Radical then); never noticing a thing except when she stopped, cried out at a view or a tree, and made him look with her; and so on again, through stubble fields, she walking ahead, with a flower for her aunt, never tired of walking for all her delicacy; to drop down on Bourton in the dusk. Then, after dinner, old Breitkopf would open the piano and sing without any voice, and they would lie sunk in arm-chairs, trying not to laugh, but always breaking down and laughing, laughing—laughing at nothing. Breitkopf was supposed not to see. And then in the morning, flirting up and down like a wagtail in front of the house. . . .