It was Mrs Bolton’s talk that really put a new fight into Clifford. His income, as she pointed out to him, was secure, from his father’s trust, even though it was not large. The pits did not really concern him. It was the other world he wanted to capture, the world of literature and fame; the popular world, not the working world.

Now he realized the distinction between popular success and working success: the populace of pleasure and the populace of work. He, as a private individual, had been catering with his stories for the populace of pleasure. And he had caught on. But beneath the populace of pleasure lay the populace of work, grim, grimy, and rather terrible. They too had to have their providers. And it was a much grimmer business, providing for the populace of work, than for the populace of pleasure. While he was doing his stories, and ‘getting on’ in the world, Tevershall was going to the wall.

He realized now that the bitch–goddess of Success had two main appetites: one for flattery, adulation, stroking and tickling such as writers and artists gave her; but the other a grimmer appetite for meat and bones. And the meat and bones for the bitch–goddess were provided by the men who made money in industry.

Yes, there were two great groups of dogs wrangling for the bitch–goddess: the group of the flatterers, those who offered her amusement, stories, films, plays: and the other, much less showy, much more savage breed, those who gave her meat, the real substance of money. The well–groomed showy dogs of amusement wrangled and snarled among themselves for the favours of the bitch–goddess. But it was nothing to the silent fight–to–the–death that went on among the indispensables, the bone–bringers.

But under Mrs Bolton’s influence, Clifford was tempted to enter this other fight, to capture the bitch–goddess by brute means of industrial production. Somehow, he got his pecker up.

In one way, Mrs Bolton made a man of him, as Connie never did. Connie kept him apart, and made him sensitive and conscious of himself and his own states. Mrs Bolton made hint aware only of outside things. Inwardly he began to go soft as pulp. But outwardly he began to be effective.

He even roused himself to go to the mines once more: and when he was there, he went down in a tub, and in a tub he was hauled out into the workings. Things he had learned before the war, and seemed utterly to have forgotten, now came back to him. He sat there, crippled, in a tub, with the underground manager showing him the seam with a powerful torch. And he said little. But his mind began to work.

He began to read again his technical works on the coal–mining industry, he studied the government reports, and he read with care the latest things on mining and the chemistry of coal and of shale which were written in German. Of course the most valuable discoveries were kept secret as far as possible. But once you started a sort of research in the field of coal–mining, a study of methods and means, a study of by–products and the chemical possibilities of coal, it was astounding the ingenuity and the almost uncanny cleverness of the modern technical mind, as if really the devil himself had lent fiend’s wits to the technical scientists of industry. It was far more interesting than art, than literature, poor emotional half–witted stuff, was this technical science of industry. In this field, men were like gods, or demons, inspired to discoveries, and fighting to carry them out. In this activity, men were beyond atty mental age calculable. But Clifford knew that when it did come to the emotional and human life, these self–made men were of a mental age of about thirteen, feeble boys. The discrepancy was enormous and appalling.