This was almost too much. But after a few moments, as the boat rowed on, the palpable Aaron changed his position as he sat, and drew in his arm: though even now he was not aware of any need to do so. The invisible Aaron breathed with relief in the bows, the boat swung steadily on, into the deep, unfathomable water again.

They were drawing near a city. A lake–city, like Mexico. They must have reached a city, because when Aaron woke up and tried to piece together the dream of which these are mere fragments, he could remember having just seen an idol. An Astarte he knew it as, seated by the road, and in her open lap, were some eggs: smallish hen’s eggs, and one or two bigger eggs, like swan’s, and one single little roll of bread. These lay in the lap of the roadside Astarte. . . . And then he could remember no more.

He woke, and for a minute tried to remember what he had been dreaming, and what it all meant. But he quickly relinquished the effort. So he looked at his watch: it was only half–past three. He had one of those American watches with luminous, phosphorescent figures and fingers. And tonight he felt afraid of its eerily shining face.

He was awake a long time in the dark—for two hours, thinking and not thinking, in that barren state which is not sleep, nor yet full wakefulness, and which is a painful strain. At length he went to sleep again, and did not wake till past eight o’clock. He did not ring for his coffee till nine.

Outside was a bright day—but he hardly heeded it. He lay profitlessly thinking. With the breaking of the flute, that which was slowly breaking had finally shattered at last. And there was nothing ahead: no plan, no prospect. He knew quite well that people would help him: Francis Dekker or Angus Guest or the Marchese or Lilly. They would get him a new flute, and find him engagements. But what was the good? His flute was broken, and broken finally. The bomb had settled it. The bomb had settled it and everything. It was an end, no matter how he tried to patch things up. The only thing he felt was a thread of destiny attaching him to Lilly. The rest had all gone as bare and bald as the dead orb of the moon. So he made up his mind, if he could, to make some plan that would bring his life together with that of his evanescent friend.

Lilly was a peculiar bird. Clever and attractive as he undoubtedly was, he was perhaps the most objectionable person to know. It was stamped on his peculiar face. Aaron thought of Lilly’s dark, ugly face, which had something that lurked in it as a creature under leaves. Then he thought of the wide–apart eyes, with their curious candour and surety. The peculiar, half–veiled surety, as if nothing, nothing could overcome him. It made people angry, this look of silent, indifferent assurance. “Nothing can touch him on the quick, nothing can really GET at him,” they felt at last. And they felt it with resentment, almost with hate. They wanted to be able to get at him. For he was so open–seeming, so very outspoken. He gave himself away so much. And he had no money to fall back on. Yet he gave himself away so easily, paid such attention, almost deference to any chance friend. So they all thought: Here is a wise person who finds me the wonder which I really am.—And lo and behold, after he had given them the trial, and found their inevitable limitations, he departed and ceased to heed their wonderful existence. Which, to say the least of it, was fraudulent and damnable. It was then, after his departure, that they realised his basic indifference to them, and his silent arrogance. A silent arrogance that knew all their wisdom, and left them to it.