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Aaron's Rod
by: D H Lawrence

Aaron sat watching in silence. Only the uneasy birds rustled. He watched the city and the winding river, the bridges, and the imminent Alps. He was on the south side. On the other side of the time barrier. His old, sleepy English nature was startled in its sleep. He felt like a man who knows it is time to wake up, and who doesn’t want to wake up, to face the responsibility of another sort of day.

To open his darkest eyes and wake up to a new responsibility. Wake up and enter on the responsibility of a new self in himself. Ach, the horror of responsibility! He had all his life slept and shelved the burden. And he wanted to go on sleeping. It was so hateful to have to get a new grip on his own bowels, a new hard recklessness into his heart, a new and responsible consciousness into his mind and soul. He felt some finger prodding, prodding, prodding him awake out of the sleep of pathos and tragedy and spasmodic passion, and he wriggled, unwilling, oh, most unwilling to undertake the new business.

In fact he ran away again. He gave a last look at the town and its white–fanged mountains, and descended through the garden, round the way of the kitchen garden and garage and stables and pecking chickens, back to the house again. In the hall still no one. He went upstairs to the long lounge. There sat the rubicund, bald, boy–like Colonel reading the Graphic. Aaron sat down opposite him, and made a feeble attempt at conversation. But the Colonel wasn’t having any. It was evident he didn’t care for the fellow—Mr. Aaron, that is. Aaron therefore dried up, and began to sit him out, with the aid of The Queen. Came a servant, however, and said that the Signor Colonello was called up from the hospital, on the telephone. The Colonel once departed, Aaron fled again, this time out of the front doors, and down the steep little park to the gates.

Huge dogs and little dogs came bounding forward. Out of the lodge came the woman with the keys, smiling very pleasantly this morning. So, he was in the street. The wide road led him inevitably to the big bridge, with the violent, physical stone statue–groups. Men and women were moving about, and he noticed for the first time the littleness and the momentaneousness of the Italians in the street. Perhaps it was the wideness of the bridge and the subsequent big, open boulevard. But there it was: the people seemed little, upright brisk figures moving in a certain isolation, like tiny figures on a big stage. And he felt himself moving in the space between. All the northern cosiness gone. He was set down with a space round him.

Little trams flitted down the boulevard in the bright, sweet light. The barbers’ shops were all busy, half the Novarese at that moment ambushed in lather, full in the public gaze. A shave is nothing if not a public act, in the south. At the little outdoor tables of the cafes a very few drinkers sat before empty coffee–cups. Most of the shops were shut. It was too soon after the war for life to be flowing very fast. The feeling of emptiness, of neglect, of lack of supplies was evident everywhere.